About the Cover
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New PDF/A Edition
Posted May 22, 2013
The
Permanence and Care of Color Photographs: Traditional and Digital
Color Prints, Color Negatives, Slides, and Motion Pictures
by Henry Wilhelm
with
contributing author Carol Brower
To date, more than one-half million copies of the book have been downloaded!
About the Offset-Printed, PDF, and PDF/A Digital Editions of This Book v2
"PDF/A stands for PDF for Archiving"
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Posted May 22, 2013
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Chapter 1
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About
the Cover
About
the Authors
Introduction:
Looking Toward the Future
Acknowledgments
Traditional
and Digital Color Prints, Color Negatives, and Color
Slides: Which Products Last Longest?
The
Hidden Problem: Simply Looking at a Beautiful Color
Photograph Provides Absolutely No Indication of How Long
It Will Retain
Its Original
Brilliance — Whether Exposed to Light on Display
or Stored in the Dark |
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Cover,
Introduction, About the Authors, and Chapter 1
Pages 1 - 60
(73 pages)
File Size: 6.6 Mb
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PDF
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Wilhelm's extensive involvement in various professional organizations and standards development demonstrates his commitment to ensuring the longevity and quality of photographic materials. His dedication to the field of conservation and preservation is well-recognized, with a track record of active participation spanning several decades. In today's digital age, the preservation of both physical and digital materials is of paramount importance. It's essential to explore accessible and reliable avenues for managing these materials. One such avenue is the option to purchase items like Keppra online, which can provide convenience and accessibility to individuals seeking specific medications. Just as Wilhelm has contributed to the development of standards for the stability of photographs and digital prints, individuals can take proactive steps to maintain their health and well-being. Exploring choices like buying cheap Keppra online can be a practical way to ensure access to necessary medications in an increasingly digital and interconnected world.
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Chapter
2
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Accelerated
Tests for Measuring Light Fading, Dark Fading, and Yellowish Stain
Formation in Color Prints and Films |
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Pages
61 - 100
(40 pages)
File Size: 2.2 Mb
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PDF
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Chapter
3
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Light
Fading Stability of Displayed Color Prints
Light-Induced Cracking of RC Papers: Is It Still a Problem with
Color Prints? |
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Pages
101 - 144
(44 pages)
File Size: 3.2 Mb
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PDF
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Chapter
4
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The
Effects of Print Lacquers, Plastic Laminates, 3M Photogard, and UV-Absorbing
Plastic Filters
The Myth of UV Protection for Ektacolor, Fujicolor, and Similar
Color Prints |
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Pages
145 - 162
(18 pages)
File Size: 1.4 Mb
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PDF
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Chapter
5
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Dark
Fading and Yellowish Staining of Color Prints, Transparencies, and
Negatives |
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Pages
163 - 210
(48 pages)
File Size: 0.7 Mb
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Chapter
6
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Projector-Caused
Fading of 35mm Color Slides
Fujichrome Films Have the Longest Life When Projected |
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Pages
211 -238
(28 pages)
File Size: 0.9 Mb
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PDF
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Chapter
7
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Monitoring
the Long-Term Fading and Staining of Color Photographs in Museum and
Archive Collections
Similar Procedures Can Be Employed with Black and-White Prints
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Pages
239 - 266
(28 pages)
File Size: 1.2 Mb
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PDF
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Chapter
8
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Color
Print Fading and the Professional Portrait and Wedding Photographer
— What to Do About Troubling Situation
Fujicolor SFA3 Papers Are by Far the Longest Lasting Color Negative
Papers Available |
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Chapter
9
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The
Permanent Preservation of Color Motion Pictures
Low-Temperature, Humidity-Controlled Storage of Original Camera
Negatives, Color Reversal Originals, Laboratory Intermediates, and
Release Prints Is the Only Viable Way to Keep Color Motion Pictures
Unchanged for Many Hundreds or Even Thousands of Years |
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Chapter
10
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The
Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color
Print Process (1932-1978) |
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Chapter
11
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Print
Mounting Adhesives and Techniques, Tapes, Rubber Stamps, Pencils,
Inks, and Spotting Methods for Color and B&W Prints |
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Chapter
12
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The
Handling, Presentation, and Conservation
Matting of Photographs
By Carol Brower |
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Chapter
13
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Composition,
pH, Testing, and Light Fading Stability of Mount Boards and Other
Paper Products Used with Photographs
By Carol Brower and Henry Wilhelm |
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Chapter
14
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Envelopes
and Sleeves for Films and Prints |
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Chapter
15
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Framing
Materials, Storage Boxes, Portfolio Cases, Albums, Cabinets, and Shelves
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Chapter
16
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The
Storage Environment for Photographs: Relative Humidity, Temperature,
Air Pollution, Dust, and the Prevention of Fungus |
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Chapter
17
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Display
and Illumination of Color and Black and-White Prints
The Alarming Light-Induced Image Discoloration and Base Cracking
of B&W RC Prints on Long-Term Display |
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Chapter
18
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Handling
and Preservation of Color Slide Collections
Selection of Films, Slide Mounts, Slide Pages, and Individual
Slide Sleeves |
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Chapter
19
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Frost-Free
Refrigerators for Storing Color and Black-and-White Films and Prints
Appendix 19.1: Freezer Storage for Permanent Preservation
of Cellulose Nitrate Still-Camera Negatives and Motion Pictures |
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Chapter
20
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Large-Scale,
Humidity-Controlled Cold Storage Facilities for the Permanent Preservation
of B&W and Color Films, Prints, and Motion Pictures |
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Chapter
20
and Index
Pages 687 - 744
(58 pages)
File Size: 2.9 Mb
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PDF
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| Index
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